Directing · 1954-10-02 · Greven, Germany
Daniel, der Zauberer
Kurosawa and the Censors
Fassbinder in Hollywood
Monsieur Truffaut Meets Mr. Hitchcock
Ernst Lubitsch in Berlin - Von der Schönhauser Allee nach Hollywood
The Cinema and its Double: Rainer Werner Fassbinder's 'Despair' Revisited
Les Mystères de Paris : "Out 1" de Jacques Rivette revisité
Der Film verlässt das Kino: Vom Kübelkind-Experiment und anderen Utopien
Requiem for a Killer: The Making of 'Blast of Silence'
Program Notes: An Introduction To The Last Detail By Alexander Payne
Starting Out: The Making of Jerzy Skolimowski's Deep End
Last of the Independents: Don Siegel and the Making of 'Charley Varrick'
The Beast Inside: Creating 'Wolf'
Kino der Zeichen: Claude Chabrol über Alfred Hitchcock
Cop Stories: The Making of Richard Fleischer’s ‘The New Centurions’
Pure Cinema: Joe Napolitano on Brian De Palma's Body Double
Traveling Roadshow
Jack Arnold Remembers The Incredible Shrinking Man
A Search For Truth: Robert C. Jones On Hal Ashby’s 'The Last Detail'
Eine Zärtlichkeit wie bei Sirk - Todd Haynes über Fassbinder und das Melodram
Painting with Light: Nicholas von Sternberg on Josef von Sternberg
Sucker Punch Blues: A Look Back on John Huston's 'Fat City'
Perspectives on Othello: Joseph McBride on Orson Welles
Le Cinéma en jeu: L'Amour fou de Jacques Rivette revisité
Crazy Love: Janet Bergstrom on Josef von Sternberg's 'Morocco'
Blood on the Lens: Richard H. Kline on Brian De Palma's 'The Fury'
Beyond Melodrama: Kathryn Bigelow on Douglas Sirk
Circles of Desire: Alan Williams on Max Ophuls' "La Ronde"
'Deep End': Remembering the Deleted Scenes
Return to Beethoven Street: Sam Fuller in Germany
Rumble on the Lot: Walter Hill's Streets of Fire Revisited
Outer Movement, Inner Movement
The Making of Highlander
Expedition Amazonia
About a Trip: Alexander Payne on Hal Ashby's 'The Last Detail'
